What's happening September 2026

A co-worker challenged me last month to play "September" in September. Which I promptly forgot about, and then on the first of September the conversation went: "Well?" "What?" "Did you do it?" "What?" "Learn September?" "Ha, that's right, no. I'm too busy for that." "I'm disappointed." "ha ha." "No, really disappointed." "Okay, okay, let's have a look."

Pulled out the guitar from beside the desk, whipped up the chords, started noodling with it, after about a minute the rythym was in my head and I was starting to groove with it, I'd forgotten how good a song it it. Jazz style chords, but with a pop rock feel? Something like that. I wanted to sing it as I found the groove but I'm a terrible singer. Nobody in the office was game to sing it for me.

I mean check it out - this is from Ultimate Guitar - grab your guitar and play these chords, they aren't exceptionally tricky, get the chorus in your head and groove! How is that G major 7 over A at the end! Try playing it as a Gsus2 with a high A over A! Queue trumpets! Yay!

Bm7   E7   C#m7          F#m7
Ba de ya - say do you remember
Bm7   E7   C#m7          F#m7
Ba de ya - dancing in September
Bm7   E7   C#m7          F#m7 Gmaj7/A
Ba de ya - never was a cloudy day

I have too much other stuff to fingerstyle and that one would be quite difficult, and besides, Naudo did it already - actually around 20 years ago, but YouTube cancelled his account (more than once) - lucky Juan has all his videos backed up and reposts them.

Meanwhile, as the world is circling around music and AI - in fact just in general that I can't believe anything I see or read - what do we do? I am becoming increasingly sure that the only thing that is truly real right now is what you are seeing and hearing right in front of you. Your conversations with people in real life - given they aren't reading from a script or wired into the matrix. Or the musos you see at your local - given that they aren't playing/miming to a backing track. In fact musos, I think in the middle of every couple of songs just kinda hold a chord progression for several extra bars, and talk to the crowd to razz them up a bit, even respond to shouts and heckles (I'm sure you all do this already) - but it seems even more important these days to prove "this is real."

Speaking of not being real, I am re-recording Canon in D for the 20 year anniversary since I posted that video. Yep, I started practising last month and I have two glaring problems - I still haven't been able to memorise it, and I still can't play it much better than I did in 2006. After putting a few hours of effort into it over a few weeks, and generally getting dismayed, I kinda gave up. I decided I won't ever be able to memorise it, and I don't mind. I also kinda decided I don't really want to be able to play it well, it's not that important to me. Sorry! It was important to me at a time and place a couple of decades ago, that is no longer the case. When my daughters get married I won't be playing it, I will be walking them down the aisle. Beautiful music, very hard to play, I have some good sheet to play from, I will play it every now and then and it will put a smile on my face briefly before I get frustrated that I can never play it to my expectations.

All is not lost though! I recorded around 40 minutes of me attempting to play it, I was never going to get it in one take, in fact I just assembled the video and there are ten splices. Yeah, not great. At least 20 years ago I played it through in one take! This time I needed to forgive myself and move on.

And yet you know what? I can play 8 minutes of "Shine On You Crazy Diamond" totally from memory in one take - there will be a few mistakes but nothing major. I enjoy playing that more.

One more thing, in case I haven't said it enough. I never use AI when writing these posts. Not to get ideas, not to proof read, not even the tiniest suggestion. I don't want it interfering with my thoughts, this was always a place to brain dump when I'm not playing the guitar about all things musical. Even getting AI to suggest ideas to write about is wrong. It's no longer you. AI has its place, but that is not for rambling about the things in your mind.

Custom Bass

I built a custom bass for my youngest daughter for Christmas in 2024, the delivery was actually not until 2025...it took longer than I thought! It worked out great though, it has a bright punchy tone. It is her regular bass that she does all her performances and recording with. This was my thoughts when getting parts:

• 4 string Precision Bass (P-Bass) style - ie old school Fender with the single split pickup
• I was really happy with the Custom Neck I had made in China so I got onto them to make the neck
• I just wanted a bare body that I would paint myself. Note: Don't ever get a bare body. Get them to at least primer it if not paint it, you can lightly sand it and repaint it later. It is more effort to prepare bare wood for painting than it is worth.
• The best possible pickup that money can buy. This ended up being a SD SPB-3.
• The best possible high mass bridge, tuners and various hardware that you can get on Aliexpress.
• Custom paint and pickguard to my daughters specification. Purple and black/white checkerplate.

I recorded a video of lots and lots of the construction. I have yet to assemble it into a coherent video. I will do one day. But that day is not today and I've had this post sitting here in draft for more than a year, I want to post it! Most importantly, for the records, here is the parts list with the supplier and cost in $AUD2024:

Item	Store	Cost
Bass Guitar
P-bass maple neck/ebony fretboard/pearl inlays	Qing Ping Aliexpress	$243.23
Mahogany P-bass body no paint	Qing Ping Aliexpress	$225.16
Seymour Duncan SPB-3 1/4 Pound P-Bass 4-String	Mannys	$199.00
Guyker Tuners	AliExpress	$49.28
BB404 Bass Bridge	AliExpress	$38.05
Checkerboard pick guard	Dopro Aliexpress	$22.77
Primer Paint	Bunnings	$11.95
Purple Paint	Bunnings	$11.95
Clear Paint	Bunnings	$11.95
Guyker Strap Buttons	AliExpress	$5.62
Neck Joiner Plate	AliExpress	$5.25
Potentiometers	AliExpress	$3.98
0.047uF Capacitor	AliExpress	$2.90
Input Jack	AliExpress	$1.70
	Sub Total	$832.79
Accessories
SKB Hardcase	Mega Music	$189.00
Zoom B1 Four Bass Multi Effects Pedal	Mannys	$179.00
Guitar Strap	Aliexpress	$6.85
	Sub Total	$374.85
	Grand Total	$1,207.64

Finished enough! Paint is not great up close but looks fine from a distance! Here it is out and about!

What's happening July 2026

Just sitting in a holding pattern. I think that is fine, you don't need to be go-go-go your whole life. I still regulalry mix songs - there is plenty to be learnt there. I pick up the guitar which is hanging right behind me and play it whenever I'm here. I still play "Shine On You Crazy Diamond" a lot, I find it quite relaxing. I play it weekly in the lunchroom at work and I usually follow with "Wish You Were Here" which then segues into "Breathe". I think I need to go and play them at an open mic, I haven't done an open mic in years. I need to share my love of Pink Floyd music. And maybe give them a short list of 20-30 songs "you choose what you want me to play next". I quite like that idea - keep a heap of songs fresh in my memory and play requests. I need to play a song through once every few months to keep it fresh in my head.

Except "Canon in D". I've dusted it off, practising it to record again for the 20th year anniversary of posting it on YouTube. I've changed a few parts to both improve the arrangement and the playability. I thought if I put in enough effort I would finally be able to memorise it and play it well. I was wrong. It is the one song that I have been unable to memorise, and as I push harder into it I start disliking it. I have been through this cycle several times in the last 20 years, including the first time I learnt it. (That's why the first recording of me playing it is from sheet.) I have resolved once again that I can only play it from sheet. If I push any further, I will stop playing it. It's like some sort of nemesis. That's okay, I will play it from sheet, put up the 20th anniversary play through, and maybe in another decade Canon and I will be on better terms.

AI coding - just when you thought it was amazing something changes and it's even more amazing. We are now at a stage where you can take your favourite software, ask Claude (running in the fable model) to rebuild it from scratch but fix up all those little things that you don't like about it. And it will give you a working application straight off the bat. I don't know what this means for software - will it all be bespoke going forward? The code itself is completely unmaintainable of course, I gave up understanding what is happening in there a while back. I'm glad I grew up when you had to write code yourself, because I understand how to write code myself, but now I kinda don't have to anymore. I will become dumber, I'm sure, but the amount of work I can produce that "gets things done" has gone through the roof. As with most things AI, I'm still not sure how I feel about it. But the genie is out of the bottle. I watch it, interact with it, let's see what happens.

More earbuds

When I'm mixing I use my Steven Slate VSX headphones which are kinda expensive and sound good, they can also emulate other headphone sounds which is great. I reckon you want to mix so that the song sounds good on any system - which is a compromise - but I have been surprised how little of a compromise it really is. As in, you can have a mix which sounds great on great headphones but sounds bad in a car, or with phone speakers...but with a bit of tweaking it still sounds great on great headphones but now sounds good in a car and on phone speakers as well.

Part of this is experimenting with cheap and budget headphones. Always wired, usually earbuds, and I avoid ones with built in microphones. As in, I buy them to test mixes to see what that style of headphone will actually reproduce. I reckon a lot of people are going to listen to a mix with built in phone speakers and it's never going to sound great on them. You aren't going to hear any of the textures or subtleties so the best you can kinda get is keeping the mix clear enough to understand the vocals and feel a beat. But I'm suspecting that many people will be using a budget set of earbud headphones, possibly some that came with their phone (is that still a thing?) so having a mix sound good on that is pretty important.

In my testing of budget headphones I have discovered a few things. Firstly, that there are good budget headphones. If for you headphones are a bit of a consumable, like they are for me - as in, you will get five years tops out of them before you have broken them somehow - then budget headphones can be a wise choice for casual listening. You can also have a few sets scattered around your house for quick and easy listening. My recent purchase exposed something to me that I guess I had always known but really stood out this time.

The real low end cheap headphones will reproduce sound but they aren't worth the money, even small amounts of money. They will do some electrical or mechanical trickery so that the bass sounds big (annoying - what are we, all gamers wanting to hear big explosions?), they will cut out the low mid muddiness but push the upper mid range so that guitars and vocals sounds crisp and clear. They aren't fooling anyone.

So the mid tier budget headphones will have a more natural flatter EQ, they don't need trickery because the drivers are better. I think back to the Sennheiser MX500 earbuds - the fit, the sound - it's earbuds so the sound is not going to be perfect, but they kinda got it right. The Apple ipod style were also okay but I was never into the Apple scene.

Which brings me to my point - the most recent budget headphones I have been using, when I'm walking around the house listening to mixes - kinda impressed me. Yincrow $AUD20(2025) earbuds, quite acceptable. I was testing $AUD30(2026) NiceHCK B40s. Both had a nice natural sounding EQ, there did not seem to be any trickery involved trying to disguise badness. In my A/B testing, the NiceHCKs had some edge over the Yincrows that I couldn't put my finger on. Sure, the NiceHCK has a slightly boomier bass and a slightly elevated high mid, but neither sounded "forced". The NiceHCK also had a slightly higher volume, I noticed the driver was slightly bigger so maybe it was pushing more air? Or just more efficient? I was nudging the phone volume up/down two clicks during the A/B test so to identify tone differences not volume differences.

I did some research (okay...lazy AI research...I didn't read and think through every subreddit post about headphones...) I realised what I was hearing was the minute transient response difference between the drivers. The NiceHCK must be able to respond a tiny bit faster and better articulate those tiny tiny harmonics and overtones present in the recording. So while they both had a similar frequency response there was some sort of time domain frequency smearing more apparent in the Yincrows. Quite the epiphany. Sound is complex, headphones are a compromise in reproducing it. Manufacturers are doing well with mid-tier budget headphones. Both these headphones are acceptable but the NiceHCK ones have an edge over the slightly older Yincrow, there is a lot going on in those tiny little speaker drivers!

20 years of YouTube

...20 years just clicked over last week - 28th May 2006 was the date of my first video upload. I didn't think I was an early adopter, YouTube had been around for a year. But in hindsight I was an early adopter. I was ten years earlier than Rick Beato who celebrated his ten years (I just watched his video). We had the same reason for using YouTube - it was an easy method to share videos with somebody. In my case it was for a fingerstyle forum (doesn't exist anymore). In 2006 digital videos were definitely a thing but not as easy as today's tide of smart phones. I had bought a Sony point and shoot camera capable of grainy video when my first daughter was born late 2003, in between hundreds of baby videos there are some of me recording myself playing guitar right back to 2004, so I was not stranger to it.

I never quite had that "viral video" moment like Rick did, however I had a lot of traffic - when I put out Canon in D it was getting thousands of views a day, the peak was 2010 when across my channel I was sitting at 7,000 daily views - enough to push Canon in D over 3 million views in those few years. Unlike Rick however, I didn't have much to offer - just an amateur fingerstyle hack (my original videos show the classic early stages of being a guitarist - it's just about moving your fingers fast into the next position and pluckin' them notes...it's missing musicality.) I never built anything around my YouTube channel, just arranged songs and played them, gave out my tabs for free (at least a hundred thousand downloads!) slowly got better while an ever-decreasing number of people watched. Not a problem, was never about being a star, was about sharing a hobby I was passionate about.

The stats - the early days show the rise - more and more people discovering YouTube. Then the fall - more and more people posting on YouTube. Those people, especially talented musical fingerstyle players, far eclipsed the increasing rate of people using it, hence the great rise and fall of my channel. In the later years it's the algorithm that decides who is going to see what - you can see a few blips along the way as events occurred, the one I remember the most was when Ennio Morricone died and a heap of people watched my Ennio video (I actually have two).

Black line = total views, Blue line = Canon in D, Green line = Here Comes The Sun.

Going forward? There is no "what happens now", I've always been doing the same thing! I get inspired to arrange a song, or something musical I'm interested in, and I record a video. Even back in 2008 I was talking about playing for audiences and how recording a video for YouTube is the next best thing, it forces you to finish a project - don't be a half-song playing guitarist. No more to say, I talked about YouTube statistics back in 2013 and not much has changed. I talked about how creators are at the whim of The Algorithm and not much has changed with that either.

So business as usual. I do have a backlog of songs to record but I'm not as single mind focused on just recording arrangements as I used to be...but that's okay. Just get out there and create - don't leave it to The AIs to do!

Train Your Ear

Train your ear is advice I preach to myself regularly. Sometimes I listen too.

If you like mixing audio, which I do (who doesn't?) then you just gotta keep persisting. I am reminded of some advice that really stuck with me - half a decade ago I was in Nunz's recording studio and my nephew was there because he liked the idea of being an audio engineer. When asked about what he should do, Nunz was emphatic, I will paraphrase: "Mix. Record. Sit at your console and keep doing stuff. Every waking moment of your life you should spend listening, mixing, learning. You life has to revolve around audio engineering. You need to be completely dedicated or you won't make it."

It seemed extreme at the time - but the longer I mix the more it doesn't seem extreme at all if you want to make a livelihood of it.

I have pretty much an endless supply of recordings to mix - at my local church I can hit a button and get a multi track high quality recording of as much CCM as I like! You might not be a fan of Contemporary Christian Music but it has everything you need - the staples of acoustic guitar, bass guitar, drums, keys, vocalists - but also electric guitar, violin, sax and other can make an appearance. The teams change from week to week, the music will vary from rock to ballads to classic gospel hymns. Not only do you get to mix the recordings, but actually being part of the team is another wonderful experience - the production - what everybody is playing when - the participation, the comraderie...one gig every week if you wanted it! Don't sit in your room playing by yourself - be part of your local church and get on the music team! But I digress.

According to my archive I have mixed 70 songs in the last two and a half years. I am now at a stage where I can hear a mix and mostly recognise what it needs. EQ, compression, reverb, limiters, saturation. Listen to the feel and tweak faders. Carve out spaces in frequency, in time, in panning. So many options, so many choices you can make. Still learning, still experimenting. My early mixes are pretty awful. My recent ones are okay. Because I have persisted, I keep listening, slowly, I am training my ear.

Jack's Utopish social media and recording a Quip

Gotta love what Jack Conte tries to do. All the creatives out there, feeding the social media beast which has turned into a piece of crap algorithm driven attention seeking advertisement focus killing machine so billionaires can make more billions...creatives don't stand a chance of being truly creative if they need to feed that machine or are creative as a hobby with the day job pays the bills. I like my day job, but I also love creativity and I have been dabbling in sharing my creativeness with the world via the internet for more than two decades now. When Jack started up Patreon several years ago I jumped onboard - it's a way for fans to support artists.

So he's just released a bunch of updates which included the concept of "Quips" - shortform videos on the platform, with the idea that they are just quick and not overproduced. Behind the scenes style. I can get onboard with that! I have been making Jawmunji Talks videos on and off for years, generally I go longer form, but I have also done a few Youtube shorts. Seeing as I'm a recovering perfectionist it's good for me to be less-producey, so I just recorded a Quip and popped it into Jack's machine. Will that machine turn ee-vil? Maybe, but I want to say no. People will game it for sure, but will it intentionally be made ee-vil like the social medias? I want to say no. Will it get traction? Maybe! It will if we feed it! Can Patreon be the vehicle where fans can actually support creatives? I kinda think it already is! I love the "1000 Fans" notion - that you "only" need 1000 fans to pay you $100 a year and that is a decent income. I think of my youngest daughter in her various bands, I know she has followers, and she sells merch at gigs, and it gets devoured. I helped her make 30 high quality CDs for Hyperfest - all sold (note to self - write a blog about that). The lino print cheap t-shirts she makes move easily at a greater profit...heh, I think the CDs are much better value for money, but there you go!

The point being that she is already supported by local fans who show up and buy merch at all her gigs. So that, applied world wide on the internet seems like an obvious step. But the current social media, the streamers, all the internet machinery for it - designed to make the maximum amount of money for shareholders and if the creatives got nothing from it then that would consider that great.

Stepping off my soapbox, I decided to post a Quip. I love to talk about creative stuff that excites me. I love to engage with people who also love to talk about the creative stuff that excites me. I don't need to make a living from being creative, but I wouldn't stop people who want to support me as well! I do have a bunch of mates already on Patreon - in the early days I used to offer stuff so I amassed a number of supporters - but I stopped offering stuff (it was in a very very grey legal area) - and encouraged supporters who were expecting stuff to cancel their subscriptions - but offered cheap tiers for anyone who wanted to keep supporting me. Some did! Thank you supporters - it is great to engage with fans but when someone supports financially it changes things...people making a sacrifice because they believe in something. They don't have to sacrifice but they want to.

Let's switch to tech talking.

I would dearly love to have a dedicated room with cool gear set up to make it super easy for me record a video whenever I am in the creative mood. I do not have that. So just now I spent more time setting up the gear than recording the video. Shame. So here are some notes to Future JAW to help him out:

• OBS Studio: still amazing. Keep using it for this sort of thing.
• Web cameras: I'm running a classic Logitech C922 Pro and a C920. Both are dated - I'm going to buy a more modern replacement for the C920. Important - don't saturate your USB bus with webcam feeds, try to make sure each one is plugged into a different USB bus...currently I have one on the laptop and one on the dock.
• Microphone: my ever-useful Zoom H1D. Turn it on a set it into audio interface mode. Plug it into USB, it's low bandwidth so it will be fine. In OBS Studio go into Settings->Audio and point a Mic/Auxiliary Audio to it.
  Remember! Windows->Sound Settings for Input and Output definitively show what is connected. All apps refer to the devices there including OBS!
• PeSonus Studio 1824 interface, via Reaper DAW: this is the complicated bit. Guitar instrument cable -> PreSonus interface -> USB to laptop -> Reaper DAW -> OBS + headphones. I use the 1824 in ASIO mode, which is the best way to interface with an interface, and Reaper can apply fx and send them back to the interface, so I plug my headphones into the front of it and get near-zero latency. HOWEVER that isn't shared on the Windows laptop I use UNLESS you turn on Loopback=virtual in the PreSonus Universal Control application. Once you do that, you will see in Sound Settings an input for PreSonus Virtual - which you can then add to OBS as another Mic/Auxiliary Audio.
• OBS Studio again: brings it all together. I've tried different picture-in-picture/split/shifting/etc methods for the webcams, I went for portrait this time, one webcam on top another on the bottom. In Settings->Video I went Base of 1080x1920 (ie portrait HD). Then it is a case of adding the two webcams, cropping and moving them to fit. The Zoom HD1 microphone I initially added a gate filter, but the electric guitar acoustically was getting through the gate when I dug in. If I increased the gate I had to shout to trigger it. So I added a mute/unmute hotkey and remembered to deal with it. Not great.

When in doubt, just talk through your problems with a chatbot - that's what I did. General life tip with chatbots: you have to have some basic knowledge of what you are trying to achieve, you have to half know the answer or they will lead you down a never ending garden trail to nowhere. You have to have  a year's worth of built up a knowledge of knowing how to get what you need from a chatbot, accumulated from trial and error...hence I wrote the notes above to help Future JAW when he forgets things.

What I need to do to be a little better for next time (and there is always a next time, I have been doing "behind the scenes" videos for 20 years) - at least one better webcam, and a microphone stand that puts a microphone close to my mouth so I don't have to worry about mute/unmute, so I can just use gating.

Oh and I played Pink Floyd Learning to Fly. I was aiming for a more "Pulse" live feel, so more bassnotes, wasn't quite getting it, still undecided whether I should be hitting it that hard. The G string rings a bit too much, wasn't happy with my playthrough. BUT THAT'S ALRIGHT...if you want perfection use AI slop.